One Weekend: Two Exhibits

Lava Haze 10 x 10" oil on linen
© 2010 Katherine Kean

The small painting above is showing some progress, just needing some final layers of glaze, as do some others in the studio. Meanwhile I feel like I've been everywhere this weekend. Saturday I found myself in Orange County to see the "Best" exhibit from Jeffrey Crussell Fine Art, including the work of 40 or so artists hung in an Eichler home. It was interesting seeing artwork in an environment that is closer to the way they might actually be displayed in a personal collection. Sunday I went to the "Studio Visions" exhibit at Linda Jacobson's Center for Art and Spirit in Venice, featuring paintings of the Venice Art Forum group. Also an alternative space, the intimate exhibit of paintings by eight artsists hung in a converted garage behind a private home. Roslyn from the Art, Tiles, and Mosaics Blog was there and took pictures that are now posted on her blog, so have a look.

West Adams Art in Historic Places Tour

The historically interesting West Adams area of Los Angeles has Craftsman style bungalows, Victorian houses, cottages, and mansions. The West Adams Heritage Association tour on Saturday included 12 diverse locations. As if the architecture alone is not enough of a treat for the eye, each one featured contemporary artwork by local artists. In some cases the homes are owned by the artists represented. In others, the work of a few different artists were collected together. I've included some photos below. The photos are a bit random. Since I'm still nailing down what colors to paint my house I had a tendency to wander off photographing odd bits of trim and sections of homes where all the colors intersected, while missing more obvious photo opportunities. A list of all the artists whose work was displayed on the tour, along with samples of their work, can be found at the WAHA website.







Later on in the afternoon I had the pleasure to meet up with Dianne Poinski while she was in town. I've known Dianne through her blog for the past year of so, and it was a pleasure to meet her in person.

Happy Memorial Day

Coastal Pines - SOLD - 3 x 3" graphite
© 2010 Katherine Kean

This weekend does feel like the unofficial beginning of summer, having warmed up suddenly. Perhaps I can finally put away the space heater and take the winter comforter off the bed. Have a safe and happy Memorial Day.

Passing Through

Passing Through
4 x 7" graphite © 2010 Katherine Kean

This drawing, of an imaginary migration, is headed for the gallery this week. I suspect I'll end up doing a larger version of this in oil since I've explored this theme more than once in the past and keep returning to it to try and discover a bit more.

On another note, one of my recent paintings has been accepted as a winner in the May Showcase Awards, which is Art Slant's online competition. You can see it on the Art Slant 3rd 2010 Showcase page of their website.

Saving Work Back: Pros and Cons

Foggy PCH work in progress
9 x 12" oil © 2010 Katherine Kean

In my last post I brought up the idea of saving work for any exhibitions on the near horizon. The pros and cons seem to break down like this:

Pros

· Having enough work to make a strong, coherent exhibit in terms of theme, style, and content.

· Not feeling pressured – some people work very well under pressure, in fact some people seem to need pressure to work at all. I’m the opposite, and in addition I need drying time.

· Having the time to promote the work. Some periodicals require 4 months lead time before publication. Publicity is good anytime, but even better if it occurs prior to the exhibtion.


Cons

· The work could get “stale”, considering that, depending on the artist, the first pieces of a series may have been started some time ago.

· Sales opportunities could be missed.

· Sold work could lead to “holes” in the exhibit, or an overall weak exhibit, which has a negative domino effect - a weak exhibit leaves a negative impression, may lead to bad reviews and word of mouth.

The end decision? For me it seems to be to follow up the sales and juried opportunities judiciously, avoiding overextending and to save work back up until a replacement is complete and in place to exhibit.

I’d love to hear from other artists on how you deal with this aspect of working towards an exhibition. Do you save work back?

Saving Work Back For a Show

With an eye on the exhibit coming up in November I’ve been focused on completing a series of paintings. The series is largely finished, although I know I’ll continue to work and make new paintings that may fit in well with my current work and the theme for the exhibit. On the other hand it seems like I am hearing about a lot of interesting exhibit possibilities and getting calls for juried shows that my work might be suitable for. This always presents a query, should an artist hold work back for the upcoming exhibit? It could mean missing a potential sale, but on the other hand I feel that I need to know that I’ll have work available for the exhibit that’s already scheduled. I’m weighing the pros and cons of saving work back and will present what I come up with them in my next post. Thoughts, anyone?

Another Beach, Another Storm

Another Beach, Another Storm sketch 8 x 10" pencil

© 2010 Katherine Kean

I'm just getting started on the painting that this drawing is for. I became so fond of another recently completed painting, I wanted to do something with a similar feel right away. This one is much more complicated than the last, both in the clouds and in the water. There are many subtleties in the greys and the clouds are rolling and curling and carrying out all kinds of interesting manuevers. This drawing serves as a map for values and a guide for the motion and detail. I'm finding it interesting that at the actual location, the sea with the incoming waves felt very dynamic, while the sky, though not exactly calm, felt heavier and more stable compared to the water. In the drawing I feel the reverse - although that may change in the painting of it. Painting this is either going to drive me crazy or it's going to be a lot of fun!