Something in the Wind

Leaves on the Wind
12 x 12" oil

© 2006 Katherine Kean

I’ve been reading about the wind. It’s high time, really. I live in a windy place - I guess everyone living near canyons and mountains does. It tends to be windy many mornings even when the rest of the city is experiencing calm. Then when it is windy for everyone we get extra.

When I first moved here with my then husband we were woken early one morning by half a house length of gutter that had worked loose from it’s mounting banging violently against the side of the house with each strong gust. It was beating the house so relentlessly that we were afraid that it would soon come crashing through the window. My ex husband bravely ran outside and wrestled the gutter to the ground. As the wind was showing no sign of abating and lacking a method to secure it he held it there in check while I searched for something to sever it with. A kitchen knife finally did the trick. Another time I was working in the studio on a windy day when I heard a loud BANG. I ran upstairs from the studio to see what was going on. On the deck I found that the wind had plucked the patio umbrella out of it’s holder and driven it straight into the side of the house where it remained stuck like an oversized, festive dart.

The book I’m reading, Jan DeBlieu’s Wind: How the Flow of Air Has Shaped Life, Myth, and the Land explains the many facets of wind from a cultural and journalistic perspective. I'm reading about the speed of wind, where and how it forms, how it has affected historical events. I'm especially enjoying learning the many ways the wind is known from exotic names (scirocco, foehn), to weather terms and sayings (a backing wind), to poetry ("the wind's feet shine along the sea," Swinburne).

Group Shows Coming Up at TAG Gallery's New Location

It's Official - TAG Gallery is moving to Bergamot Station next month and is kicking off the transition with back to back Group Exhibitions.

Starting in December TAG Gallery will occupy the D3 space at Bergamot Station. The first exhibit will include the work of Anne Ramis and Eve Brandstein as well as an exhibit of small works by all of the TAG artists.

Another group show will take place in January of 2010.

More details to follow.

Great Marsh Sketch - Almost Raining

Almost Raining Great Marsh Sketch
© 2009 Katherine Kean

Here is the last of the Great Marsh sketches, at least for awhile. I have more sketches to do, but right now I'm looking forward to working more with color.

I've been thinking a lot about color lately and what color choices to make. I rely most on value to create mood, but there's no denying the impact of color, whether used naturally or emotionally.

What are your favorite palette choices? Do you use color realistically or naturally, emotionally, or expressively, or another approach?

I've worked a lot with de-saturated color and black and white, and I'd include it in the emotional category.

Reading About the San Gabriels - Tall, Steep, and Now Waterproof

Clouds Over Great Marsh Sketch

© 2009 Katherine Kean

While I'm seeing the light at the end of the tunnel with the large paintings, I'm also looking forward to getting on with some new work, such as a painting from the sketch above. I've finally seen a clear change of season with the chilly Santa Ana winds - the first ones in many years bringing no accompanying anxiety. I was amazed yesterday by fantastic dust and ash cloud that the winds kicked up. The descent into winter here includes some cold days punctuated by a day or two in the 80's, accompanied by thoughts about the impending rainy season. I've been reading John McPhee's The Control of Nature, specifically the chapter "Los Angeles Against the Mountains". McPhee's reporting style is entertaining as he lays out the hazards of living next to the "unimproved wilderness" known as the San Gabriel Mountains, among them:

1. Steep and rugged, the San Gabriels are twice as high as Mt. Washington - from base to summit 3000 feet higher than the Rockies.

2. Some of the most concentrated rainfall in the history of the US has occurred in the San Gabriel Mountains.

3. Burned chaparral releases wax like resins that coat the soil particles, creating a waterproof layer one to six centimeters down.

All of this together sets the scene for the "full scale flat-out debris flows", which McPhee reports on in his book.

There is another chapter in the book that I've yet to read, "Cooling the Lava" - I can hardly wait.

Head Room

A Sketch of the Great Marsh
© 2009 Katherine Kean

I've had some wonderful dreams over the past few weeks, many of them from various categories of recurring dreams. Although I don't paint my dreams in the form of subject matter or even dream locale, I do use the feeling of many dreams for inspiration.

In a recent dream I found that there was a whole additional floor above where I live. I've had this dream many times, in many variations, and in this most recent one I felt all the excitement of realizing that there was so much more available to me. I started down a hallway that ran the perimeter of the building, looking into all the rooms as I went. All of the rooms were in good repair, many of them well furnished and even with closets full of clothing. The hallway continued on, and so did I, and so did the rooms. There were living rooms and dressing rooms. There were library rooms with floor to ceiling shelves full of books, there were kitchens and dining rooms and breakfast nooks. The further I went, the more I realized that there didn't seem to be an end to this building and I started running to see if I could get to the end. Eventually I tried a shortcut through the middle of the building, going through yet more and more rooms, and eventually came to realize that this particular space was virtually endless.

The excitement and wonder that I felt in the dream has stayed with me and has been like a whoosh of energy over the past several days.

Matchy Matchy

This past weekend I took a few moments to update my regular website, something I’ve planned to do since changing the look of this blog, in order to bring the look of the pages closer together. I haven’t made a lot of changes. I updated my resume and I took off everything that’s been sold. Everything showing is recent work. I removed old work, although I may put the old work back up at some point, but on a separate page. I also plan to start adding new work on it's own page during the next few weeks.

I got so into it that I went ahead and altered my MySpace page to match as closely as possible as well.

I feel inspired. I had a crazy, wonderful dream last night, but more about that later.

Related Post:

Before and After

Just My Type

I Saw it in the Sky

Converging Conditions work in progress 48 x 60" oil on linen
© 2009 Katherine Kean

I'm back on the large surfaces again with the initial over layer of color complete on this, the largest one, while the other is getting it's finishing touches. I'm liking the effect of working on large areas with big brushes. I'd like to keep it as simple as this is while still feeling complete about it, although I'm wondering how it'll fit in with the rest of my work. Time - and the application of paint - will tell.

Previous Stages:

Storm Clouds Over Lava Field

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