I’m feeling celebratory this week. A painting that has been a problem child from day one is now starting to take shape. It is a modular painting. By that I mean it is composed of two canvases, a 40 x 60" placed above an 8 x 60". I’m using oil - primed linen, always a little difficult, but this time it was as if the linen was resistant to my every effort - everything except extreme patience. I stretched, waited, tightened, waited, smoothed and adjusted and retightened, over and over, coaxing the linen to flatten out. For a few weeks stretching linen became my number one preoccupation. One night I literally had nightmares about going to the studio to try to paint on surfaces made up of origami folds. What a relief to wake up! What a relief to see this painting co-operating at last.
Here are a couple of detail views from different sections:
As an imaginary composition there have been a lot of adjustments to get the balance and motion of the birds right and then to make sure the top and the bottom sections are cohesive.
It has a way to go yet, but has at last entered fun to work on territory.
Have you ever had a project that seemed to resist all your efforts?
The Conversation 2014
2 hours ago